full lengths

Libby has written over a dozen  full-length plays. Here are some favorites.

I Am Not an Allegory (these are people i know) 
Set in a small American city, I Am Not an Allegory (these are people i know), confronts sex, faith, and race from outside the perspective of the educated coastal class. Nine actors step off the stage and into reality to perform a play that takes place at this exact moment in your actual life. 6 women, 3 men.
Bowery Poetry Club, NYC, 2012

The Little Room
Based in part on a true story: in May 2008 it was discovered that a man had kept his daughter imprisoned in the windowless basement of his apartment building, where he raped her and fathered her seven children, for over 20 years. Elsa and Katrin are locked in the basement. The only light they ever see is artificial. Their only connection to the outside world is the television and their captor. What they don’t know is that this is the last day they will have to stay in the basement, or the price of their freedom. 3 women, 1 man. 90 minutes.
Short listed: BBC’s 2009 International Radio Playwriting Competition; Semi-Finalist: Eugene O’Neill Theater Center’s 2010 National Playwrights Conference; Reading: The Hive, NYC, 2012

At the heart of Zeropia is Marta, an urban planner who’s ready to take action, to make a stand, to get it done. Unwilling to settle for half-way, she sets out with her trusted assistant Amy to realize her vision of a net-zero town, a town that leaves an absolutely zero carbon footprint. Yet, as more and more people fill Zeropia, and Marta tries to take her vision to the national level, obstacles begin to mount both inside and without.
Clubbed Thumb Biennial Commission winner 2009

The Girls from Afar
Slavery in America did not disappear with the Civil War. No longer institutionalized, it is hidden, tucked away behind manicured lawns and monogrammed golf carts. If the public could hear the clatter of the shackles in the streets, would it recoil it horror? What if the signs are much less obvious? Two girls have come from afar to work as domestics in a wealthy home in the suburbs of New York, but what seems at first to be a great opportunity becomes a lifestyle of brutality. 3 women, 1 man.
Finalist, Yale Drama Series 2010; Readings: East West Players, in collaboration with the Coalition to Abolish Slavery and Trafficking, Los Angeles, CA, 2010; Desipina & Co., Teatro Circulo, NYC, NY 2009; Open Rehearsal Series, INTAR, NYC 2011

Bridge Over Sand
Caroline is an engineer designing a bridge for a demanding new foreign client. She and her colleague Keith have traveled to the desert to see the site. But once she arrived in country, she finds that the laws regulating a woman’s movement outside her home are drastic and restrictive. She’s unable to move around the city without male company, prohibiting her from getting to project meetings. Caroline can hardly manage the project if she can’t even leave the hotel, but the bridge means alot to her, and she’s not a woman who gives up without a fight. 1 woman, 2 men, 90 minutes.

Other full-lengths include:

Eyes of the Prophet, MFA thesis 2007, Columbia University School of the Arts, winner John Golden Award

Decomposition in Blue and White, Theatre Double, Philadelphia, PA, 2001

Arrested, reading: The Flea Theater, NYC, 2003

The Sustainable Future, Galapagos Art Space, 2004

Up the Coast

Man Under the Bridge




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